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Sunday, May 5, 2013

‘Iron Man 3’ Reviewed


“It could have been worse.”

Seeing as how I’ve been eagerly anticipating Shane Black’s Iron Man 3 since the credits rolled during my first viewing of Marvel’s The Avengers, this was not how I expected to feel when I walked out of the theater in the early hours of May 3, 2013. Yet, in the aftermath of a film that seemingly wraps up the Iron Man story at least in terms of solo outings, I couldn’t help but experience a tinge of disappointment, marking the very first time I’ve been let down by a Marvel Studios film.

Now, Iron Man 3 isn’t a bad film by any means. Black (Kiss Kiss Bang Bang) took some calculated risks in crafting a film that had zero chance of providing the visceral crowd-pleasing thrills of Joss Whedon’s Avengers flick, and actually gave us the most ambitious Marvel Studios film to date at least from a storytelling perspective. Yet, in taking so many bold steps away from the comfortable conventions of the superhero genre, Iron Man 3 trips and stumbles more than once during its 130-minute running time.

So what’s Iron Man 3 about? Without giving too much away (I’ll let the rest of the Internet ruin the twists for you), Tony Stark (Robert Downey Jr.) is a mess after the events of The Avengers, which is pretty understandable. After all, saving New York City from thousands of invading aliens isn’t something you shrug off over time, even if you happen to be a billionaire industrialist/superhero. On top of his post-traumatic stress and frequent anxiety attacks, Tony must grapple with new threats, namely a terrorist calling himself The Mandarin (Ben Kingsley) and a series of bombings linked to a body-hacking technology called Extremis.

Iron Man 3 borrows heavily from Matt Fraction’s early run on The Invincible Iron Man and is loosely based on Warren Ellis’ acclaimed Extremis mini-series, but the film is seldom interested in honoring the source material. In fact, there are points at which Iron Man 3 actively trolls the core audience, resulting in the fan outrage typically reserved for Michael Bay films. Again, I won’t spoil any surprises, but at least one major Marvel villain is criminally marginalized.

One of Iron Man 3’s worst transgressions is the treatment of Stark as a character. Anxiety attacks aside, Tony has transformed from well-meaning but self-absorbed genius to absent-minded douchebag. At one key point in the film, Tony bafflingly puts his girlfriend Pepper Potts (Gwyneth Paltrow) at risk by revealing his home address to the worldwide media and goading The Mandarin into a showdown at his cliffside mansion in Malibu. When the bad guys send your house tumbling into the Pacific Ocean and nearly murder your girlfriend with a barrage of missiles, that’s on you, pal.

Downey is great as always, as are series regulars Paltrow and Don Cheadle, who gets a lot more to do this time around as Tony’s armored ally War Machine, rebranded by the government as "The Iron Patriot.” Kingsley shares villaining duties with Guy Pearce as Tony’s professional rival Aldrich Killian, while the lovely Rebecca Hall joins Paltrow in the mostly-male cast as Maya Hansen, creator of the Extremis technology and one of Tony’s former flings. Another standout in the cast is Ty Simpkin, who becomes Tony’s unexpected pre-teen sidekick for a sizable portion of the film. It takes some acting chops to trade sarcastic barbs with Downey while somehow sidestepping the whole “annoying kid sidekick” issue.

However, not even a strong cast and impressive performances all around could save Iron Man 3 from being an exoskeletal shell of a blockbuster — a schizophrenic and sometimes ponderous piece of popcorn cinema that doesn’t realize its true calling as an Iron Man sequel until the rousing CGI-fueled third act. For all the risks Black and writer Drew Pearce take, the end result just doesn’t come close to matching the passion or the energy that former Iron Man helmer Jon Favreau brought to the series in the previous installments.

Also noticeable are the massive plot holes in Iron Man 3, mostly because the previous films in this continuity seemed to go out of their way to acknowledge the other Marvel heavy hitters inhabiting the world. Where is S.H.I.E.L.D. when the U.S. president is in danger? Wouldn’t Captain America be working alongside The Iron Patriot to take down The Mandarin? Save for a few mentions of the other Avengers team members and a post-credits cameo by one of them, Iron Man 3 largely ignores the interconnectivity that makes the Marvel Cinematic Universe so unique. Also, anyone looking for hints about future Marvel Studios flicks — namely next summer’s Guardians of the Galaxy — will have to wait until Thor: The Dark World hits theaters this fall. There are none to be found in this movie.

Will you like Iron Man 3? You might, assuming you forget how much fun the groundbreaking 2008 original film and its and the flawed-but-enjoyable 2010 sequel were. However, if this is the final film in the Iron Man series, Tony Stark deserved a much better denouement than this.

Saturday, April 27, 2013

Kathleen Kennedy Addresses Confidentiality During 'Star Wars: Episode VII' Production

Secrecy has long been a part of the culture at Lucasfilm in the crafting of the Star Wars saga. During the 1982 production of Return of the Jedi in Yuma, Arizona, George Lucas & Co. wisely emblazoned their gear with the false title Blue Harvest, an attempt to throw the media off the Star Wars scent. During the production of the prequels, information from the sets was rare if it surfaced at all, forcing fans to wait for official sources like novelizations and action figure releases so they could piece together the narrative.

However, since Episode VII will be the first live-action Star Wars film in the social media age, how will Disney suppress details about the film until 2015? According to Lucasfilm head Kathleen Kennedy, the strategy this time around might be a bit more inclusive.

“As we move into making the movie and we’re shooting anything outside, it’s almost impossible to not have things end up on the Internet,” Kennedy told ScreenSlam. “So my feeling is you need to embrace that, especially with the fans around something like Star Wars. You need to realize that they’re important to the process [and] acknowledge that there are things you’re gonna want to make sure they get to know.”

Check out the full interview below.

Friday, April 26, 2013

And We’re Back!

In the aftermath of a move to a new apartment and a massive work-related event revolving around fisticuffs and the mental state associated with said fisticuffs, I’m happy to say that The Wort Report has officially returned!

We’re just one week away from the opening of Iron Man 3, and who could ignore the impending releases of Star Trek Into Darkness and The Man of Steel? And didja get a load of that Thor: The Dark World trailer? All things worthy of your geeking out in the weeks and months ahead.

But before all that, I’d like to address news that Microsoft is planning on unveiling a brand-spanking new Xbox on May 21st at 10 a.m. PDT. Although I’ve gotten giddy about such tantalizing reveals in the past, I’m wary this time around. It might be because I’ve grown very attached to the Xbox 360 over the past seven years (I’ve gone through three of them in that time), and the thought of building up a new game library for an entirely new piece of hardware just doesn’t seem that thrilling to me. Moreover, my time for gaming has shrunk to near-nothingness recently, so I’m not all that confident I’ll be making the plunge into the next generation of consoles ... at least not right now.

 What do you guys think? Are you excited about a “Next Gen” Xbox? Tweet your thoughts using the hashtag #XboxReveal, and check back here this weekend for more emblogginations.